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-[Film Reviews]-, American Independent Cinema, Hollywood, NORTH AMERICAN CINEMA

‘Hail, Caesar!’ (2016)

hail-caesar-mondo-poster

Directed by: Joel Coen, Ethan Coen || Produced by: Joel Coen, Ethan Coen, Tim Bevan, Eric Fellner

Screenplay by: Joel Coen, Ethan Coen || Starring: Josh Brolin, George Clooney, Alden Ehrenreich, Ralph Fiennes, Jonah Hill, Scarlett Johansson, Frances McDormand, Tilda Swinton, Channing Tatum

Music by: Carter Burwell || Cinematography by: Roger Deakins || Edited by: Joel Coen, Ethan Coen || Country: United States, United Kingdom || Language: English

Running Time: 106 minutes

hail caesar montage

TOP: Hollywood creates some amazing works of art from time to time, as awkward and bizarre as the business often is. BOTTOM: Brolin takes to the streets as part of his job as a big studio “fixer,” cleaning up the worst of the industry’s fiascoes.

The Coen Bros. are some of America’s most endearing and creative film auteurs of the past thirty years. They blend and subvert genre expectations with carefree glee and almost irreverent abandon, intermixing tragedy, comedy, and even serial killer violence in ways that would make your average Bollywood romance blush. Then again, the Coens don’t simply “throw everything but the kitchen sink” into their screenplays and then have at it during principle photography, but rather they challenge basic filmmaking conventions in consistently successful ways that make them the objects of affection for film academics, film critics, and casual film fans.

Enter Hail, Caesar! (HC), which may be the most stereotypical, definitively “Cohen Bros. -movie” ever made. This movie is by far the CB’s most accessible and lighthearted venture, a welcome respite from the well made but ever so depressing and sobering Inside Llewyn Davis (2013). Like their most famous films, HC is rife with political commentary, Hollywood satire, and a strong ensemble cast; it’s bursting with color and wacky visual humor, as well as the CB’s trademark intimate approach to shot/reverse-shot dialogue. A welcome strength with HC and the CB’s filmography in general is their cinematic exposition and memorable characters. Even if their stories are sometimes off-the-wall or even uninteresting, their characters are appealing if not fascinating, and every scene filled with people sitting down and talking still feels cinematic; their movies still feel like actual movies rather than stage plays or stuffy novels. This sums up HC to a “T.”

A particular strength of HC is its star-studded and diverse cast, led by a Josh Brolin in one of his most endearing and fun roles. Scarlett Johansson, Ralph Fienes, Channing Tatum, George Clooney, and Tilda Swinton are all good, and some of those good performances are clearly the result of the CB’s amazing acting-direction, rather than the actors’ talent (*cough!* Tatum!). Brolin, however, is the standout man of this movie, as he showcases an impressive range of emotional vulnerability, thoughtful leadership, as well as gruff masculinity. He’ll remind you of your Dad in the best way possible, if that makes any sense.

Two other strengths of the film are its musical numbers and soundtrack, a staple of the Coens, and the story’s short, concise, well edited running time. Both the synchronized swimming set-piece featuring Johansson’s character and Tatum’s tap-dance routine are beautiful and charming, and Hail, Caesar! wraps at a tight 106 minutes. A strong musical component and restrained running time are a rarity in Hollywood nowadays, as I always say, so exceptions to those modern rules are particularly refreshing. Music can be a great strength of filmmaking; it doesn’t always have to be regulated to background noise. By that same logic, not all (or even most) movies have to be 2.5-3 hours long!

hail caesar tatum

Tatum demonstrates some old-school Hollywood song and dance.

Hail, Caesar! is refreshing and warmhearted like Deadpool (2016) was brash and irreverent. It’s the CB’s most mass audience-friendly picture yet, but not in the least bit watered down or artistically compromised. Brolin further demonstrates his capability as a lead man in addition to his impressive resume as a character or supporting actor. HC uses his charm in conjunction with a diverse ensemble cast and the CB’s reliable direction to create a successful modern riff on classical Hollywood. This movie is not exactly groundbreaking, especially for the Coen Bros., but given its auteur direction, it doesn’t have to be.

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SUMMARY & RECOMMENDATION: Hail, Caesar! finds the Coens at their most upbeat and charming, and the film maintains that sense of optimistic charm through colorful musical setpieces, a fine lead actor in Josh Brolin, and snappy, cinematic dialogue. Few audiences and demographics will find anything in Hail, Caesar offensive, confusing, or boring.

However… there’s little here we haven’t seen before, particularly from the Coen Bros. Some of Alden Ehreneich’s mannerisms grow tiresome.

—> RECOMMENDED

? Hey, Obie, you’re a Communist too?

About The Celtic Predator

I love movies, music, video games, and big, scary creatures.

Discussion

4 thoughts on “‘Hail, Caesar!’ (2016)

  1. I heard an interview on the radio with the Coen Brothers. The real life events this film was based on, a Hollywood fixer and the studio system of the 50s, sounded as bizarre as anything the Coens could make up. Perfect material for their wry take on life. They had little sympathy with the communists in Hollywood at that time, and sought to include discreet digs at them in this film. Not sure how that came across, though. I haven’t seen it yet.

    Posted by The Opening Sentence | March 5, 2016, 4:51 am
    • They did a good job at poking fun at the self-righteousness and pompous attitudes of the aforementioned Commie-sympathizers. At the same time, they parody how narcissistic the Hollywood industry was/is as a whole, so in classic CB-fashion, they didn’t let anyone off the hook.

      Posted by The Celtic Predator | May 2, 2016, 12:49 pm
  2. I really enjoyed this movie as did my wife. Quite entertaining. While it won’t go down as an ‘all time great’, I agree that it was worth the price of admission and recommend it.

    Posted by Robert O. Lincoln | March 5, 2016, 3:51 pm
    • It is indeed the most archetypal Coen Bros. film ever made, if that makes any sense. Probably the least offensive, violent, or dour of any movie they’ve produced yet, but still boasting all their trademark quips, colors, and sense of humor for which they’ve become famous.

      Posted by The Celtic Predator | May 2, 2016, 12:52 pm

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