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The topic of today’s blog entry concerns the ongoing batch of movies I happen to rewatch often. That’s pretty much it. To be more specific, today’s subject of Current Cinematic Comfort Food (CCCF) includes only modern or somewhat recently released movies I enjoy reviewing — as in watching again, not reviewing as in writing additional … Continue reading
I do not care for contemporary superhero movie franchises, their fanbases, their audiovisual styles, or the superhero archetype on film in general; I have tired of their overexposure in the popular culture zeitgeist since at least the early 2010s. Like Japanese animation, I’m aware these movements are passionate and have achieved significant mainstream acceptance, having … Continue reading
Greetings, pandemic survivors! For those of you sheltering in place, self-quarantining, or otherwise distancing yourself from physical human contact, now is the time to embrace your inner couch potato, whether you’ve been laid off or are fortunate enough to work from home. Cinephilia is a useful hobby passion during times like these, so for those … Continue reading
Live-action reboots of famous animated titles are not a revolutionary idea in the Hollywood studio system, but mainstream audiences have recognized a significant increase in their production that coincided with the rise of intellectual property (IP) remakes, reboots, and re-adaptations more generally. I have, in essence, given up complaining about Tinsel Town’s lack of artistic … Continue reading
Directed by: J. J. Abrams || Produced by: Kathleen Kennedy, J. J. Abrams, Michelle Rejwan Screenplay by: J. J. Abrams, Chris Terrio || Starring: Carrie Fisher, Mark Hamill, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Anthony Daniels, Naomi Ackie, Domhnall Gleeson, Richard E. Grant, Lupita Nyong’o, Keri Russell, Joonas Suotamo, Kelly Marie Tran, Ian … Continue reading
Upon finishing John Logan’s Penny Dreadful last winter after a long viewing hiatus (Season 1 was gifted to me by a brief love interest back in the summer of 2015), I anticipated writing another one of my few television series reviews on this site. I geared myself for discussing the series’ expert direction, unique Gothic-horror … Continue reading
One of the more divisive, underwhelming followups to a landmark Hollywood trendsetter was the 2003 two-part sequel to the original Matrix (1999). The first Matrix remains one of the defining science-fiction action films of new millennium cinema, holding up to this day as a thinking-man’s high-concept, big-budget genre film, and arguably the most original mainstream … Continue reading
I recently wrote about my affections for the sitcom television show and pop culture phenomenon that is The Big Bang Theory (2007-present), a show I feel is both overrated and underappreciated by different audiences. In many respects, however, the prism through which I view The Big Bang Theory (henceforth, BBT) and have viewed most every … Continue reading
The Big Bang Theory is one of the most popular television sitcoms of the late 2000s and 2010s. Like similar modern shows such as How I Met Your Mother (2005-2014) and Modern Family (2009-2020), it represents a shift in mainstream television portrayals of modern America, including its emphasis on pop culture references, scientific research, higher … Continue reading
In light of Michael Bay’s fifth (5th!) upcoming robot-sex movie, Transformers: The Last Knight (2017), I thought it appropriate to look back on Bay’s previous work on the franchise that has become synonymous with big, loud, brain-dead Hollywood blockbuster filmmaking, as well as obnoxious product placement and blatant, shameless international pandering. I have made my … Continue reading
Express Elevator to Hell 