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IV: The “Problem” with Superhero Films In the end, one of the most annoying things about the Marvel Cinematic Universe and most superhero films in general is how comic fans take them too seriously and no else seems to take them seriously enough. The end result is that different sets of audiences seem unable to … Continue reading
II. Precursor’s to the MCU and the Modern Hollywood Superhero Craze Superhero blockbusters are not a new thing, nor is the Marvel Cinematic Universe (MCU) the first mainstream hit featuring an iconic Marvel character. In comparison to decades past and the incredible marketability of anything comic book-related, nowadays, putting the MCU and the rise of … Continue reading
As much as someone like Mark Cousins would love to argue otherwise, the multi-billion dollar industry that is the international movie business is dominated by blockbusters. Blockbuster films, high-concept, big budget “event” movies that attract and pander to the masses with their glorious (or mind-numbing) spectacle and entertain (or insult the intelligence of) millions upon … Continue reading
The term “independent film” has evolved since the early days of its inception in the 1980s American film scene. The shift from the 1970s American New Wave auteur dominance, including the works of film-school-educated directors such as Francis Ford Coppola, Martin Scorsese, Brian de Palma, and others to the modern day blockbuster-mindset engineered by the … Continue reading
Express Elevator to Hell 