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Film Analysis [Non-Reviews]

This category contains 27 posts

More Filmmaking Pet-Peeves…

Several years ago, I wrote about recurring problems in mainstream filmmaking that are a constant source of irritation for cinephiles like me. This burgeoning “series” of blog essays is thematically related to my Things You Like That I Don’t (TYLTID) posts, in a way, an expansive yet not exhaustive list of cinematic annoyances that reduce … Continue reading

Love, ‘LOST’ (2004-2010) and ‘Penny Dreadful’ (2014-2016), or Why I Don’t Watch Many Television Shows

Upon finishing John Logan’s Penny Dreadful last winter after a long viewing hiatus (Season 1 was gifted to me by a brief love interest back in the summer of 2015), I anticipated writing another one of my few television series reviews on this site. I geared myself for discussing the series’ expert direction, unique Gothic-horror … Continue reading

The Not-So-Magical Theatrical Experience

Time Code = 14:52-18:48 Sooner or later, cinephiles debate with themselves or general moviegoers the merits of seeing films on the big-screen, also known as “the theatrical experience.” These discussions may be more or less frequent depending on the quality of local theatre chains (e.g. Alamo Drafthouse), the quantity of peers’ streaming subscriptions, people’s general … Continue reading

The Devil on Your Shoulder, Last Part: Like My Father Before Me

My contemplation on the nature of Jungian shadows, shoulder angels, and facing the temptations of our worst instincts ends with the original Hollywood blockbuster incarnation of negativity: The Return of the Jedi’s (1983) Emperor Palpatine. Arguably the most popular and parodied symbol of evil, authoritarianism, and general villainy in modern pop culture, Ian McDiarmid’s cruel, … Continue reading

The Devil on Your Shoulder, Part II: Let Fear Find You Again

Another series of films that deal with obvious, yet not on-the-nose representations of Jungian shadows or shoulder angels are Christopher Nolan’s Dark Knight (2005, 2008, 2012) franchise. In the broadest terms, the trilogy could be interpreted as a thematic analysis of fear, how it can evolve from an enemy to an ally. Batman Begins¬†introduces this … Continue reading

The Devil on Your Shoulder, Part I: You’re Not a Mistake

“These boys come in here, this is how they survive. They gotta fight for life — kill or be killed. People die in there! Your Daddy died in the ring…”   American writer William Faulkner is credited as saying, “The only thing worth writing about is the human heart in conflict with itself.” I first … Continue reading

To Defend or Not to Defend The Matrix Sequels?

One of the more divisive, underwhelming followups to a landmark Hollywood trendsetter was the 2003 two-part sequel to the original Matrix (1999). The first Matrix remains one of the defining science-fiction action films of new millennium cinema, holding up to this day as a thinking-man’s high-concept, big-budget genre film, and arguably the most original mainstream … Continue reading

10 Film Genres, Ranked by Cinematic Merit

What is cinematic merit? I am searching for a word or phrase that indicates how readily something is to be cinematic. Perhaps a more precise term would be “cinematic inclination,” or the likelihood of an entity possessing attributes of or carrying out actions that are cinematic. The term, cinematic, itself means “relating to” or “having … Continue reading

What’s Your Archetype? Or… Most People are Cats or Dogs

Are you a cat or a dog? You don’t need to be a sociologist or a researcher of artificial selection to know that the domesticated cat and dog (Felis catus and Canis lupis familiaris, respectively) are humanity’s most important, if not most favorite, pets throughout our history. Before you anticipate this post devolving into a … Continue reading

Why ‘Everybody Loves Raymond’ (1996-2005)…

I recently wrote about my affections for the sitcom television show and pop culture phenomenon that is The Big Bang Theory (2007-present), a show I feel is both overrated and underappreciated by different audiences. In many respects, however, the prism through which I view The Big Bang Theory (henceforth, BBT) and have viewed most every … Continue reading