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Film Analysis [Non-Reviews]

This category contains 36 posts

My Interpretations of Punk

In my struggles to define the different audiovisual styles of various films, including and especially the diegetic minutiae of the worlds in which their narratives inhabit, I stumbled across numerous articles, forums, and reactionary podcasts discussing the numerous “punk” aesthetics of fictional words in different art forms, including but not limited to novels, comic books, … Continue reading

Star Wars: Space Western or Space Opera?

A fellow blogger‘s preliminary review of the pilot episode of The Mandalorian (2019-????), as well as discussions of the contemporary¬†Walt Disney era Star Wars (2015, 2016, 2017, 2018, 2019) films by Red Letter Media, prompted this question: Is the Star Wars franchise more “Space Western” or “Space Opera?” If those hybridized genre amalgamations sound weird … Continue reading

Why do I like Ultraviolent Action Scenes & Super Fancy Musical Numbers?

A prominent feature of my cinephilia is my affection for two seemingly unrelated film genres: The action movie and the film musical. The key word in the previous sentence is “seemingly,” because while action and musical films may attract different audiences and imply disparate narrative tones, the core of their appeal and their overarching visual … Continue reading

My Take on Live-Action Reboots of Animated Disney Titles

Live-action reboots of famous animated titles are not a revolutionary idea in the Hollywood studio system, but mainstream audiences have recognized a significant increase in their production, which coincided with the rise of intellectual property (IP) remakes, reboots, and re-adaptations more generally. I have, in essence, given up complaining about Tinsel Town’s lack of artistic … Continue reading

How Long Should a Cinematic Narrative Be?

When reviewing movies, television shows, mini-series, etc., I am conscientious of the fact I repeat several criticisms across many projects. Feature-length films in particular (~1.5-2.5 hours, on average), I feel, struggle with the “right” amount of storytelling to fit into a “proper” running time; while exceptions of long, purposefully meandering films like Gone with the … Continue reading

In Praise of the Sports Documentary Series, or Why I Hate Most Documentaries

In case readers haven’t noticed, I no longer review feature-length documentaries on this site. I may reference a well known documentary filmmaker from time to time (e.g. Werner Herzog, Ken Burns, etc.) or cite particular documentary filmmaking styles (e.g. cinema verite, direct cinema, observational or “fly-on-the-wall” visual approaches, etc.) as they relate to popular narrative … Continue reading

How to Hate (or Love) Movies without Really Trying: Types of Film-Viewing Biases

As both a celebration of my 500th(!) post on this website and as a reaction to numerous criticisms of the widespread “movie-review format,” today I shall analyze what I perceive are the major types of biases that corrupt viewers’ interpretation and enjoyment of films. I published my 500th essay last month, yet never found the … Continue reading

‘The Rise of Skywalker’ (2019): Review and A ‘Star Wars’ Retrospective Analysis

Directed by: J. J. Abrams || Produced by: Kathleen Kennedy, J. J. Abrams, Michelle Rejwan Screenplay by: J. J. Abrams, Chris Terrio || Starring: Carrie Fisher, Mark Hamill, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Anthony Daniels, Naomi Ackie, Domhnall Gleeson, Richard E. Grant, Lupita Nyong’o, Keri Russell, Joonas Suotamo, Kelly Marie Tran, Ian … Continue reading

More Filmmaking Pet-Peeves…

Several years ago, I wrote about recurring problems in mainstream filmmaking that are a constant source of irritation for cinephiles like me. This burgeoning “series” of blog essays is thematically related to my Things You Like That I Don’t (TYLTID) posts, in a way, an expansive yet not exhaustive list of cinematic annoyances that reduce … Continue reading

Love, ‘LOST’ (2004-2010) and ‘Penny Dreadful’ (2014-2016), or Why I Don’t Watch Many Television Shows

Upon finishing John Logan’s Penny Dreadful last winter after a long viewing hiatus (Season 1 was gifted to me by a brief love interest back in the summer of 2015), I anticipated writing another one of my few television series reviews on this site. I geared myself for discussing the series’ expert direction, unique Gothic-horror … Continue reading